T2 Profile™ is again full of theatrical subtlety. With CMY colour control, DataSwatch™ filters containing a selection of pre-programmed colours via our renowned RCC™ (Robe Colour Calibration) algorithm and a wide-ranging 2.700K to 8.000K CCT control, all variations of colour are possible. With absolutely no difference in colour produced by T1 and T2 platforms, you can use them together with confidence to provide consistent colour across your lighting rig, perfect for even the most demanding designers.
The precise needs of theatrical dimming are catered for with our super-smooth L3™ dimming system producing imperceptible fades to black. The high CRI of 95+ assures natural rendition of all skin tones. Specifically, for television work, we have included a plus and minus green channel and the Cpulse™ flicker-free management system for all vision systems including HD and UHD cameras, all controllable directly from your console. All this combined with our acclaimed four plane shuttering system, two rotating gobo wheels, an animation wheel, two rotating prisms, changeable 1° and 5° variable frosts with full zoom range coverage, gives you total control over your designs.
Designed to operate in noise-sensitive environments such as television studios, theatres, and houses of worship, T2 utilises our innovative AirLOC™ system. Meaning “Less Optical Cleaning,” this technology not only aids noise reduction but also dramatically reduces the level of airborne particles drawn over the optics, keeping them in pristine condition for far longer.